The Meeting, 2008
gelatin silver print
Indians, 2008
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Rider, 2008
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Untitled (Shock), 2008
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Untitled (Horse/Man), 2008
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Untitled (Chin/Hoof), 2008
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Territory, 2008
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Charge!, 2008
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State Ranger, 2008
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Untitled (Zaroff), 2008
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Ceremony, 2008
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Untitled (Grin), 2008
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Tiger in the Sky, 2008
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Untitled, 2008
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Untitled (The Flying), 2008
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Untitled, 2008
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Untitled (Standoff), 2008
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Untitled (Saloon), 2008
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Untitled (Stagecoach), 2008
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Happy Trails, 2008
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I pointed my camera at the glow of the television's cathode ray tube and opened the shutter. As the augmented heroes of childhood fantasy flickered across the back of the glassy vacuum, they began to accumulate onto a single strip of film -- showing through in distorted pieces and parts.
The running length of a movie is compressed over thirty-six exposures. Film is exposed at one-minute intervals and when all of the exposures run out, the same roll of film is picked and exposed again. This process continues over the length of the entire movie and ends when the movie does; effectively compressing time and creating dense multiple exposures. A linear media is reimagined as a latent static collage of its own parts.
As the augmented heroes of childhood fantasy flickered across the back of the glassy vacuum, they began to accumulate onto a single strip of film -- showing through in distorted pieces and parts.